How many Orthodox Christians come to France – and only a few know how many shrines still, despite the tumult of revolutions and the forgotten Christian heritage of the past, contains a French land. Because it, like our Holy Rus, Lord, “by nature gracious and unemotional”, still loves and wishes to all living and visiting there “to be saved, and in the knowledge of the truth Preeti”.
Holy Legend tells us that after the beheading of the precious head of St. John the Baptist the wicked Herodias was not allowed to betray her funeral together with the body of the Saint, but having outraged upon her, buried in his Palace in the “disgraceful place”. The body was taken secretly and buried by the disciples of Saint. Wife of officer of king Herod we knew where Herodias had buried the venerable head. And she decided to rebury her on mount of olives in one of Herod’s estates. Continue reading
Sharp wooden spire of the bell tower rises above the stone Church. Only up close you can see that this is not one, but two separate buildings, standing very close is the bell tower built in the XVIII century near the facade of the Gothic Church, which for three hundred years older. Stone temple Dating back to the XIV century, the outside does not seem particularly interesting. Neatly whitewashed small single-nave Church-the Church, built in a defensive style. However, the outward simplicity of the temple is deceptive. Special historical and artistic value is covered with paintings of the XVIII century the ceiling. It is made of wood and divided into 60 squares (tiles), each with painted stylized floral ornaments. The name of a carpenter working on the ceiling, you know – his name was Sandor Ferenc. On one of the wooden squares, the wizard left the image plane, and the other set a date of 1753. But the name of the artist history is silent.
Special glamor attached to the ceiling of the temple Matt black, white and gold colours of the squares on which the unknown painter has caused the amazing beauty of the patterns. Continue reading
The ancient Egyptians had many underground structures. It is easy to assume that they were illuminated by torches, or candles. Only in one building were found traces of soot, which certainly would cover the walls and ceiling. The assumption was that the lighting was provided with metal mirrors to reflect sunlight. However, the majority of underground corridors too winding. Too much you need to put the mirrors in the reflection of each subsequent mirror much brightness is lost. After the fourth reflection comes almost complete darkness.
In the burial chamber of Tutankhamun, the scientists were amazed at the wonderful frescoes that adorned its walls. Naturally, the question arose: what kind of lighting were used by the ancient wizards, putting murals on the walls? No smoke and mirrors camera could not be covered. Continue reading